Reviews

Praise for The Lion in Winter
"One of the finest shows in recent seasons, not just in Chicagoland but in all of America."
– The Wall Street Journal

"The cagey characters, whose duplicity, betrayals, manipulations and infidelities make the dysfunctional Westons of August: Osage County look like the adoring Norwegians in "I Remember Mama."
– Daily Herald

"To witness the rip-roaring spectacle in all its treacherousness and self-destruction you need only head to Writers' Theatre for this zesty revival." 
- Chicago Sun-Times

 

Praise for The Beastly Bombing:

"an enthusiastic and lovable cast of lunatics... that might just help you laugh your way through the nightly news."
-After Dark Chicago

"truly ingenious"
-The Chicago Tribune

Praise for Eva Peron:

"Tiffany Bedwell is an erotic, multi-tasking wonder as Eva's supposedly loyal nurse. She sparks with jealous fervor and the righteous indignation of the underprivileged."
- Chicago Free Press

"the sharp, mercurial cast maneuver through Copi’s demanding script with mischievous grace"
-Chicago Reader

"the punk-rock stuff of Andrew Lloyd Webber's nightmares"
-Timeout Chicago

"Nobody this side of Lake Michigan, does nihilistic debauchery with the howling, hyper sexualized panache of the Trap."
-UR Chicago Magazine

Praise for Avenue A:

"It's smartly directed by Bradley M. Bartolo in the company's casual Pilsen storefront and features a quartet of strong performances . . . . Joey (an electrifying Garrett Prejean) is a former con living with his injured brother, Chickie, and desperately trying to jump-start his life on the outside, despite a few obvious "quirks," as his sweet-but-naive Italian girlfriend Rosa (a disarming Tiffany Bedwell) calls them."
- Chicago Tribune

Praise for History of a Handgun:
" . . . especially strong performances [from] Ann Sonneville as a wraithlike Iraq War vet and Tiffany Bedwell as her estranged gal pal . . . ."
- Time Out Chicago

Praise for Blasted:
". . . [T]his unbelievable ensemble's grasp of the subject matter, the theme and mood and their command of character (each dialect perfect thanks to the work of Tiffany Bedwell), sets A Red Orchid's production far above that of most other theaters."
- Centerstage Chicago