Praise for A Couple of Poor, Polish-Speaking Romanians:

" . . . inspired performances from the entire cast (especially Tiffany Bedwell as the chameleon-like pregnant girl, equal parts victim and monster)."
- New City Stage

" . . . [Kevin] Cox and [Tiffany] Bedwell dive in fearlessly, and the combustible chemistry they share made it impossible for me to stop watching, even during the most unpleasant sequences."
- Chicago Tribune

"Romanians stars the always busy and never less than excellent [Kevin] Cox . . . and [Tiffany] Bedwell, whose silhouette and alert-but-weary vulnerability uncannily recalls Trap Door legend Nicole Wiesner. . . . Their wicked chemistry draws you in even as the playwright dares you to run screaming the other way."
- Time Out Chicago

"Trap Door Theatre, which has made a specialty of producing avant-garde work from eastern Europe, brings first-rate ensemble acting and striking minimalist, multimedia design to Dorota Maslowska's intriguing 2006 black comedy."
- Chicago Reader

"The ensemble is amazing."
- Chicago Stage Review

"The cast is all together exceptional with particularly spellbinding performances delivered by Kevin Cox, Tiffany Bedwell, Marzena Bukowska and Kinga Modjeska."
- Chicago Stage Review

 

Praise for The Unconquered:
"Beata Pilch's production is pitiless and sharp, with extraordinary performances by Tiffany Bedwell as Girl and Kevin Lucero Less as Soldier."
– Chicago Reader


"The performances are thoroughly engaging, particularly [Tiffany] Bedwell's febrile teen . . . ."
– Chicago Tribune


"Trap Door has amassed a solid, savvy acting and design team."
– Time Out Chicago


"The impeccable ensemble churns out the insanity with unflinching focus and impeccable characterizations. There is NOTHING natural about this production and the cast delivers the toxic artificial ingredients to bizarre perfection."
– Gay Chicago Magazine


"Highly Recommended!"
– ChicagoCritic.com

Praise for The Lion in Winter:
"One of the finest shows in recent seasons, not just in Chicagoland but in all of America."
– The Wall Street Journal

"The cagey characters, whose duplicity, betrayals, manipulations and infidelities make the dysfunctional Westons of August: Osage County look like the adoring Norwegians in "I Remember Mama."
– Daily Herald

"To witness the rip-roaring spectacle in all its treacherousness and self-destruction you need only head to Writers' Theatre for this zesty revival." 
- Chicago Sun-Times

 

Praise for The Beastly Bombing:

"an enthusiastic and lovable cast of lunatics... that might just help you laugh your way through the nightly news."
-After Dark Chicago

"truly ingenious"
-The Chicago Tribune

Praise for Eva Peron:

"Tiffany Bedwell is an erotic, multi-tasking wonder as Eva's supposedly loyal nurse. She sparks with jealous fervor and the righteous indignation of the underprivileged."
- Chicago Free Press

"the sharp, mercurial cast maneuver through Copi’s demanding script with mischievous grace"
-Chicago Reader

"the punk-rock stuff of Andrew Lloyd Webber's nightmares"
-Timeout Chicago

"Nobody this side of Lake Michigan, does nihilistic debauchery with the howling, hyper sexualized panache of the Trap."
-UR Chicago Magazine

Praise for Avenue A:

"It's smartly directed by Bradley M. Bartolo in the company's casual Pilsen storefront and features a quartet of strong performances . . . . Joey (an electrifying Garrett Prejean) is a former con living with his injured brother, Chickie, and desperately trying to jump-start his life on the outside, despite a few obvious "quirks," as his sweet-but-naive Italian girlfriend Rosa (a disarming Tiffany Bedwell) calls them."
- Chicago Tribune

Praise for History of a Handgun:
" . . . especially strong performances [from] Ann Sonneville as a wraithlike Iraq War vet and Tiffany Bedwell as her estranged gal pal . . . ."
- Time Out Chicago

Praise for Blasted:
". . . [T]his unbelievable ensemble's grasp of the subject matter, the theme and mood and their command of character (each dialect perfect thanks to the work of Tiffany Bedwell), sets A Red Orchid's production far above that of most other theaters."
- Centerstage Chicago